Holden's Irony in Salinger's The Catcher in the Rye
Salinger found his voice in Holden Caulfield and was subsequently and unwillingly lauded as having given a voice to a generation. Holden was, and still is, held up as a cultural icon because he is not the stereotypical teen found in many novels.
Holden is a boy bordering on being an adult who fights every step of the process with extreme emotions, bizarre reactions, and obsessive lying. Salinger invests Holden with a sensitivity that prevents him from finding his place in the world, a feeling to which many teenagers can relate. The irony of Holden is that the harder he tries to keep his family and friends at arm's length, the closer he comes to making unexpected discoveries about them and even himself.
Holden is a young man who approaches all life situations on a deeper plane than most teens his age, making it almost impossible for him to relate to anyone on a normal level. His efforts to connect with any stereotypical kid his age result in abject failure. Kicked out of yet another prep school, Holden decides to risk a lonely odyssey through New York City rather than admit to his parents that he has failed once again.
Although Holden labels his parents phonies and representatives of everything wrong with society, and claims to want to have nothing to do with them, his trek can be seen as a means of not having to face their censure and disappointment over this new debacle.
More important, they are part of the adult world from which he desperately wants to keep his distance. Family has failed Holden. That is, all except his ten-year-old sister, Phoebe, who represents innocence and purity in a world that reeks of phoniness and corruption. She is the only family member with whom Holden wants to keep any kind of meaningful connection.
Through his relationship with Phoebe, Holden longs for the innocence of childhood that will soon be lost to him. When he is watching his sister reach for the gold ring on the carousel, he has an epiphany: "The thing with kids is, if they want to grab for the gold ring, you have to let them do it. And not say anything". Holden's innocence died with his brother Allie, and lying and avoidance have become the norm in his life, rather than the innocent invincibility of childhood.
Although he claims to want to be left alone, Holden wants more than anything to make a connection with someone, anyone. His numerous attempts through the novel prove how inept he is at accomplishing this goal. He longs for Jane, whom he admires for bucking the rules by keeping her kings in the back row when playing checkers because "she just liked the way they looked when they were all in the back row" ; yet, he refuses to call her because he fears that she might not remember him as kindly as he does her.
To consider that she might not remember him would be a crushing blow for someone as fragile as Holden. Sally, who embodies everything Holden despises, is treated to a whimsical marriage proposal because "I didn't even like her, and yet all of a sudden I felt like I was in love with her and wanted to marry her". He hits bottom by soliciting a prostitute just to have someone to converse with and is beaten up by her pimp for refusing to pay more money than originally negotiated.
It seems Holden almost enjoys the physical beatings he provokes, earlier by antagonizing his roommate, Stradlater, and then again with the pimp, Maurice. He feels surprisingly free after these beatings, as though he knows he deserves them and is satisfied when the physical hurt happens.
Holden finds his only real solace in writing. It becomes obvious when Holden relates his violent reaction to Allie's death that this event was the starting point of most of his problems. The essay he writes for his roommate, Stradlater, becomes a memorial to his dead brother.
Anger, depression, sadness, and the idea that there is no one who truly understands drive him to spill this angst out on paper. Instead of his peers seeing it as a way to mourn his lost brother, Holden is ostracized for again rebelling against the rules and not writing what was assigned. Holden becomes the voice that readers wish they possessed. Holden can tell the truth because "Holden really does it, without an apology or so much as a 'by your leave.”
When Holden calls Carl Luce, an acquaintance whom Holden hates, as a last resort, he comes the closest to the truth about himself. By telling him "your mind is immature", Luce acknowledges that Holden is in need of psychoanalysis or some such professional help, but, in true Holden fashion, he laughs it off.
Instead, Holden starts formulating the idea that he will solve his problems by retreating to "a little cabin somewhere with the dough I made and stay there for the rest of my life."In contrast to this isolation, he also dreams of becoming the "catcher in the rye" and protecting children from falling into that terrible world of adulthood. If he is beyond help, he can save others from the same dilemma.
The Catcher in the Rye became "a generation's etiquette book and sometimes its bible, as Salinger's name came to dominate bull sessions and to be spoken of in the worshipful tones once reserved for Hemingway” much to Salinger's consternation.
Holden is embraced by readers not as a disturbed young man who does not fit into the world but as a tragic hero who dares to flout society's rules, acknowledging that there is nowhere for him to go because "that's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any.”
The irony of The Catcher in the Rye is that Holden subconsciously longs to be accepted yet feels he cannot make the connection. Yet he does by making Salinger the unwilling, erstwhile guru to a generation of displaced teenagers who made Holden an icon of their angst.
The Catcher in the Rye is not only the story of a young man's sad spiral into a nervous breakdown, but it is also about a boy who takes the chances his readers do not feel capable of risking. His failure makes him all the more real for these same readers.
According to Jack Salzman, in his foreword to New Essays on The Catcher in the Rye, Salinger "allowed Holden to exist within the absurdity of his situation without gaining any answers" and, in the process, "his literary voice was the strongest it could possibly be." Holden makes it okay not only to search for the answers and not find them but also to admit that he still feels.
His final words, "Don't ever tell anybody anything. If you do, you start missing everybody," tell the world that he made connections and feels the intensity of the emotions these connections bring up for him and that blissful ignorance might have been the better choice. He is finally coming to grips with himself.
Credits: Lisa Privitera. The Explicator. Washington: Summer 2008. Vol. 66, Iss. 4; pg. 203, 4 pgs
Well, an overall ironic element is Holden's desire to preserve the innocence of the young. Yet while he goes about trying to accomplish this, he cannot help bringing corrupting influences into those lives. While trying to keep his little sister pure, he smokes, swears, drinks, runs away, and is needlessly and purposefully cruel to her. He is also very selective in who he thinks is worthy of this purifying effort. Jane Gallagher is meant to...
Well, an overall ironic element is Holden's desire to preserve the innocence of the young. Yet while he goes about trying to accomplish this, he cannot help bringing corrupting influences into those lives. While trying to keep his little sister pure, he smokes, swears, drinks, runs away, and is needlessly and purposefully cruel to her. He is also very selective in who he thinks is worthy of this purifying effort. Jane Gallagher is meant to be protected because he believes her to be worthwhile and hates the idea of Stradlater making empty promises and aggressive sexual advances toward her. Yet, he carries out this same behavior with Sally.
He is stuck between the adult world and the world of children. When he is thrown into an adult situation, he acts like a child, as seen with Sunny, Carl Luce, etc. But when he retreats to the world of children, he brings his faux-adult act with him, as seen with Phoebe, or his fantasy destiny as the Catcher in the Rye.
It is fitting that his fascination with the ducks in Central Park occurs when he feels lost. The ducks innately know it is time to leave and where to go when the pond freezes and time changes. Holden's childhood pond is, like a museum, frozen, but he is shut out. Like his question about the ducks, he doesn't fly away; he is taken away by men in trucks, presumably wearing white jackets.